Clickable Index of Articles
MASTER CLASS SERIES: VOCAL PEDAGOGY & SOMATIC EDUCATION
Beliefs that Hinder Singing Part II: Vocal Master Class #9
Beliefs that Hinder Singing Part I: Vocal Master Class #8
Shut Up and Let the Student Sing! Vocal Master Class # 7
(Masterclasses #5 and #6 are being rewritten for later publication date)
A Later-Life Singer: Vocal Master Class #4
Adderall and Singing: Vocal Master Class #3
Psoas Release & Strengthening in a Tenor: Vocal Master Class #2
First Year of Voice Lessons for an Award-Winning Folk Singer: Vocal Master Class #1
“VOICED” EXPERIENCESÂ
Higher Education Without the Terminal Academic Degree
Vocal Pedagogy and Creativity, Part I
Vocal Pedagogy and Creativity, Part II
Interview with Suzan Postal of “The Body Sings”
Interview with Elizabeth Daniels, Teacher of Singing
Five Responses to “What Have You Done Lately?”
Seven Lessons for Voice Teachers
Creating Singing Work for Museums and Galleries
Is Your Child Ready for Private Voice Lessons?
LOA For Real Life: You Are What You Hear
Setting Intentions When You Teach
REPERTOIRE AND SONGS
OPERA ARIAS FOR THE “TWENTY-SOMETHING” SOPRANO and MEZZO-SOPRANO
Mezzo: Operetta and Character Roles
Soprano: Young Dramatic Soprano
Mezzo: Lyric and Coloratura Mezzo
ARTICLES FROM WORK AS A SINGING VOICE REHABILITATIVE SPECIALIST
A Singer Diagnosed with Essential Tremor, One Case
A Singer With Diagnosed Muscle Tension Dysphonia, One Case
JOURNAL NOTES FROM A RICHARD MILLER WEEK, 1994
Day 5, Journal of a Week With Richard Miller
Day 4, Journal of a Week With Richard Miller
Day 3, Journal of a Week With Richard Miller
Day 2, Journal of a Week With Richard Miller
Day 1, Journal of a Week With Richard Miller
SERIES EXPLORING “CLAIRSENTIENCE” and EMPATHY AS A TEACHING TOOLS:
Part III: Clairsentience as a Teaching Tool
Part II: Clairsentience as a Teaching Tool
Part I: Clairsentience as a Teaching Tool
