Opera Arias for the 20-Something Soprano: Lyric Soprano

 

It’s true that there are many different kinds of lyric soprano fachs in the opera world, and there’s much that’s been written about them. The purpose of my “Opera Arias for the 20-Something…Series” is to suggest arias for post-graduate lyric sopranos that are a bit off the beaten path, but developmentally appropriate. Perhaps they can also help make you memorable because not every other soprano is singing them.

Take a look at either of “Birdie’s Aria’s” from Marc Blitzstein’s opera Regina. I have never understood why these arias are not sung more often and they were staples in my audition repertoire for many years. I was able to use them from my late 20’s through my 40’s!

“Marie’s Lullaby” from Berg’s opera Wozzeck. If you are good interpreting contemporary classical tonalities and have a range from high B-flat to low G, this aria may be a winner for you. It is intense, even sexy, and both rhythmic and strung out.

“Ruhe sanft, mein holdes Leben” from Mozart’s Zaide. Totally naked, gorgeous and exposed like “Ach, Ich Fuhl’s,” but those auditioning you won’t be sick of it. It is long, so prepare a cut version and ask which version the directors/judges want to hear.

There are 4 arias sung by Silvia in Mozart’s Ascanio in Alba, several with wonderful coloratura passages. These are not as well known as other Mozart standards but are just as lovely.

“Elle a fui, la tourterelle!” from Offenbach’s Tales of Hoffman is a French option. This beautiful aria is much easier to sing with a good orchestra buoying you along than the piano reduction. No matter how good your pianist, you simply HAVE to imagine a fine opera orchestra and conductor supporting you and the aria soars. Enjoy Barbara Hendricks singing it HERE.

And if you are looking for an Italian aria to have in your audition book, but want to make sure you are not compared to every other Mimi or Musetta on the planet, take a look at “Come in quest’ora bruna” from Verdi’s Simon Boccanegra. This aria was recommended to me by the late Maestro Randolf Mauldin of The Washington Opera when I coached with him back in the day. Here’s Te Kanewa singing it at The Met.

This series takes a long time to write, so please comment, like or subscribe. Thanks!

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